Esther Mona Lisa

Glitch art is often not just abstract, it is non figurative. This glitch is a disfiguration of a moving image, a tradition that started within the first World War, in which the real was heavily mutilated, often completely broken. Right under the surface of the glitch are the wounds that war and terrorism actually made. The glitch is just a camouflage, a new form of a practice that resonates broken aesthetics throughout the history of contemporary art. ˙sʇlnsǝɹ ǝɯos ǝɹɐ ǝɹǝɥ ˙ƃuıssǝɹdɯoɔ puɐ ƃuıɥɔʇılƃ ɟo sʎɐʍ ʍǝu ǝɯos ɥʇıʍ sƃuıɥʇ pooƃ ǝɥʇ ǝʇɐɹqǝlǝɔ oʇ pǝpıɔǝp ı ˙ʎɐpɥʇɹıq ʎɯ sɐʍ ʎɐpɹǝʇsǝʎ ʍou ˙ɟɟnʇs ƃuıʇıɔxǝ ʎɹǝʌ llɐ ˙ʍǝıʌɹǝʇuı pɥd ʎɯ pɐɥ ı ǝɹǝɥʍ uopuol ɯoɹɟ ʞɔɐq ʇoƃ ʇsnɾ ı ˙ƃuıʇsǝɹǝʇuı ʎɹǝʌ uǝǝq sɐɥ ʞǝǝʍ sıɥʇ os more on glitch art